Doing nothing? Nothing doing.

       

         The plan was to do nothing. To spend a week enjoying my garden, relaxing in a quiet house and taking advantage of the solitude.

​As usual, I didn’t follow the plan.

For one whole week I was going to have the place to myself and I was going to enjoy my tidy little house and not lift a finger if I didn’t want to. ​

​The problem is, I just can’t sit still that long and almost immediately I was surrounded by a chaos and clutter. 

         For some reason, I can’t remember what I was looking for, I went to the basement storeroom and dug around in a couple of boxes. In the process I unearthed, among other things, a package of slides that had been missing for several years and I completely lost track of time while I held paper-framed squares of film up to the light. Of course I brought the box upstairs with me and soon they were scattered across the top of the dining room table. I didn’t want to put them away again until I got them marked and sorted so they're still there.

​The next day I realized that this would be a good time to wash summer’s dust and dirt out of the slipcovers that cover the sofa and chairs in the living room. Now the room is tumbled with cushions and furniture wearing only its white muslin “underwear.”

​The rug store called to say the old rug I’d bought online and had cleaned was ready, so I picked it up and dropped the long, heavy, rolled carpet in a corner. I’ll put it down after I wrestle the furniture back into the slipcovers. 

​I ran a few errands one day and couldn’t resist stopping by one of my favorite antiques stores. Wouldn’t you know, just as I was leaving with empty hands, one of the dealers walked in with the little bedside table I’d been searching for. I brought it home and put it in place, but now the old table has no place so it’s pushed into a corner until I can take it down to the store room. And I’m afraid of what will happen if I go back down there.

​I woke up one cool morning and pulled out a sweater. I decided, while I was at it, to put away all the linen and lightweight pieces and bring out the rest of my sweaters and winter clothing. It was easier to sort everything while it was all out and soon there was a big pile of giveaway items in the dining room, beside the table still littered with photographs.  

​I watched a movie one night and instead of making a nest on the sofa I organized the linen closet while it played. More sorting and a stack of old towels and sheets added to the giveaway pile.

​I have no one but myself to blame for this mess, but the tidy little house I was going to enjoy is now a wreck. And the book I was dying to read?  Still unopened on the (new) little table by the bed.

​Why is it some of us just can’t sit still? Can’t leave well enough alone? I think of myself as semi-retired. I’ve stopped working full time and have even cut back on my part-time writing assignments. I wanted more free time to take care of myself and the flexibility to enjoy time with my family. But for the life of me, I just can’t get the knack of it. If there isn’t a project, I invent one.

​My solo staycation ends tomorrow. I have a dinner party coming up. And my house is a disaster.

​ I have a lot of work to do, but this time I mean it. I’m going to get everything straightened up, put away and organized and I’m going to leave it that way. 

​Right after I paint the bathroom. I hadn’t noticed how drab it looks.

This essay first appeared in Spokane's "Prime" magazine and in The Spokesman-Review's "Pinch" edition. Cheryl-Anne Millsap’s audio essays can be heard each week on Spokane Public Radio. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

Put the phone down and look up at what you're missing!

 

Having spent so much time in airports and on airplanes the last few years, I’ve had a lot of time to watch parents and children all over the world. Sadly, the one thing they all seem to have in common, no matter where I am, no matter where they are, is distance.

The children, from preschoolers to teenagers, are almost always focused on tablets and iPads, watching a movie or playing a game. Beside them, their parents are hunched over the smartphones in their own hands scrolling through emails or Facebook posts. Occasionally one will speak to the other but for the most part they are lost in their personal entertainment. There is a brief flurry of activity as we board but once the seat belts are on everyone either goes back to their handheld toy or turns on the seat-back screen.

I find it all vaguely alarming.

I know how hard it is to control a child who is bored, miserable and trapped in some kind of adult environment. Keeping my own four happy—or at least keeping them from spinning out of control—was exhausting. I went to great lengths to be prepared. I kept storybooks and treats in my purse. I cajoled. I made threats. I held them in my lap and whispered made-up stories. I sometimes wore a necklace that had a tiny bottle of bubble solution on a silver chain and I would blow bubbles to amuse them.

When my son and daughters were small each of them participated in some kind of organized activity. Over the years there were ballet lessons, music lessons, art classes and a variety of sports. While they danced or tumbled or played the scales, I gossiped with the other mothers, flipped through a magazine or, when I didn’t have a little one in tow, read a book. But always with one eye on my child. My daughter just signed up her three-year-old daughter for a movement class and I tagged  along for the first one. We took our seat and watched her as she followed the other children and the group leaders. Looking on as she played, I was reminded of all the hours I spent watching my children.

I looked around at the parents—my daughter’s generation—seated in chairs around the room and I was dismayed to see exactly what I see in so many airports: Men and women bowed over phones, endlessly scrolling and texting. At least half of the parents who’d brought their kids were either looking at their phones or talking on them. My husband often takes her to the park and he tells me it’s the same there. Children play while parents stare at tiny screens.

Helicopter parents have been replaced by drones.

How will we ever teach our children to be present in their own lives and the lives of others if we take every opportunity to distract ourselves?

Sometimes, when my children were small and older women would see me struggling with a stormy toddler, they would smile and remind me to enjoy it. One day, they would say, I would look up and my children would be grown.

Now I am one of those older women and I find myself wanting to say the same thing every time I see a man or woman missing a moment with a child that will never come again.

One of these days, I want to say, you’ll wish you’d looked up.

Cheryl-Anne Millsap is the author of Home Planet: A Life in Four Seasons. She can be reached at catmillsap@gmail.com

The Mysterious World of Old Maps

    An old map of Paris hangs on the wall near my bed and it’s often the first thing I see in the morning. I can lie in bed in Washington State and navigate the narrow winding streets of the left bank or the Seine as it curves around the City of Light.
   
    In the hallway upstairs, a large 1981 map of a section of Lower Manhattan takes up most of the wall between doors and I often stop to study it as I pass, tracing my finger along avenues and cross streets, picking out familiar buildings and landmarks. I look at it and remember my first visit to the Big Apple that very same year.

    A vintage map of Italy hangs just inside my back door and on it is the port out of which my daughter sails on her marine geology assignments. Every time I go out I think of her and through the map I connect with my child who is so far away.

     I have many other old maps around the house. They are pinned to my bulletin board, tucked into drawers or slipped between the pages of my favorite books. I love to stumble onto one and stop to study it for a moment.

    In this age of GPS and voice-activated navigation, when my phone or my car can get me wherever I want to go, one clearly enunciated command at a time, I am still drawn to these printed relics and I keep bringing them home.
   
    Some I pick up because they are beautiful, illustrated with elaborate care and tinted by age.  Others because they remind me of places I’ve seen or they inspire me to go where I’ve never been.
   
    But some of the maps in my possession were chosen as much for their mystery as their beauty. Like the WWI era map of Paris and its environs with the name of a British officer of The Queen’s Regiment and the dates 1914-1920 handwritten in ink on the front.

    I found it and bought it online and when it arrived I unwrapped the package and carefully unfolded the 100-year-old paper-on-linen map. Intrigued about the man who’d owned it, I managed to find what appear to be a partial military record for the Captain Francis. The single index card states his medals—the war medals mailed to every veteran— were returned, the package marked with the words “Gone away.”

        Holding the fragile linen and paper remainder of a life I can only imagine, I’m left to wonder what became of the man who must have studied it often as he drove on roads around the city, in a country torn by such a brutal war. Where did he go after the fragile peace was restored?   

    Gone away. Such power in two words. I wonder about Captain Francis’s life after the war. Why did he label his map 1914-1920 when the war ended in 1918? Did he remain in France instead of returning to his life in England? Was he one of those who lost themselves somewhere in the shattered landscape?

    So many questions and so few answers.

    I’ll probably never the mystery of N.B. Francis. I keep looking but so many records of the First World War were destroyed by the second and there is precious little to go on. 
    A man who was a stranger to me lived and died decades ago, but I can still follow his shadow back through time and into a period of history that changed the world. He left a map.

Cheryl-Anne Millsap’s writes the Home Planet column for The Spokesman-Review. Her audio essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of ‘Home Planet: A Life in Four Seasons’ and can be reached at catmillsap@gmail.com

Cooper's Hawk

   

   A light snow had been falling all morning, just enough to dust the streets and tree branches, just enough to freshen the dirty crust of old snow without making the roads treacherous. 

    We were each in our favorite spots in the living room. I was in my chair, my feet on the ottoman, and he was stretched out on the sofa. We had our coffee and the Sunday papers and no particular plans for the day. 

     When my husband got up to refill our cups he stopped at the window that looks out on the tree in the front yard, the one with the bird feeders in it. All morning we’d been watching the bird show as small, hungry finches flew in and out.

    “There’s a bird out here eating one of your birds,” he said.
   
    I looked up from the New York Times and blinked at him, trying to make sense of what he’d said. 

    “What?’
   
    “A bird is eating another bird.”

    I chase away the neighborhood’s young cats all the time, I wouldn’t have been surprised if he’d told me a cat had struck. But a bird had killed a bird?

    I walked over to the window and peered through the curtain. Sure enough, a small hawk was on the front walk that leads to my front door and he was devouring the remains of a goldfinch.

    I was surprised to see there were still a few finches and Junco’s at the feeder, but they seemed to have one eye on the feeding predator below them. I guess the death of one of the flock had just bought them all a little time. Danger was distracted for at least a few minutes.

    I looked down at the hawk again and I realized he was not a stranger to me.
    Late last summer my son spent a few days with us and as he was leaving we stood outside and said our goodbyes. Suddenly a large bird flew low, right over our heads, and landed clumsily in a small tree nearby.

    We moved closer and he peered down at us through the screen of the branches. It was a young Cooper’s hawk, still wearing his juvenile spots, and I suspected he was out doing his first solo hunting. He’d made a lot of noise for a bird that is known for moving with great bursts of silent speed. I pulled my phone out of my pocket and snapped his photo before he launched himself out of the ornamental tree and moved to one of the tall Chestnut trees on the corner. 

    As my son put the last of his things in his truck we talked about our good fortune, about feeling lucky to get such a close look at a beautiful raptor. Then, one more hug and he was on is way. Later, I sent him the photo I’d taken.

    Now, in mid-winter, I can’t prove it, but I have the feeling the proud hunter calmly devouring his catch as we watched was the same bird I’d seen all those months ago. Like most of his kind, in the winter he stakes out urban feeders hoping for an easy meal and that morning, at the feeder in my front yard, his patience had paid off.

    The hawk finished his meal—leaving nothing but feathers scattered on the fresh powder—and flew up to the high branches of one of the Ponderosa pines across the street. I stayed by the window, wondering what would happen next. After a while a few goldfinches and pine siskins returned to the feeders. They were hesitant and nervous, but the winter day was cold and raw and to survive they had to eat

    Suddenly, the hawk swept in again with a stealth and speed that shocked me. One moment the birds were alone quietly feeding and the next they were scattering in all directions, fleeing from danger. He didn’t get lucky that time but the tiny birds took the hint. They stayed away for the rest of the day.

    A few days later I watched the goldfinches gather again in the Chestnut branches at the end of the street, dozens of them watching my feeder, chattering loudly as if discussing what to do. Suddenly, as if warned by one of their number, in one smooth motion the entire flock lifted, flew in a circle over my house. Arcing gracefully, they turned toward the park, flying over chimneys and treetops, off to a safer address until the hawk moves on.

Cheryl-Anne Millsap’s is a columnist at Spokesman.com. Her audio essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of ‘Home Planet: A Life in Four Seasons’ and can be reached at catmillsap@gmail.com

Spokane in Soft Focus

The fog comes in
on little cat feet

It sits looking
over harbor and city
on silent haunches
and then moves on.

    That short poem, Carl Sandburg’s classic American haiku, is the first poetry I remember learning. I must have been in the 2nd or 3rd grade, in the 1960s when rote learning was still part of the general curriculum. Our teacher wrote it across the flat black surface of the blackboard in her perfect looping script. From our desks, we read it out of the books we held in our hands and repeated it in unison, a chorus of high lilting, singsong, voices. 

    The imagery of Sandburg’s “Fog” is elemental and perfectly captures the silent, deliberate movement of fog as it takes over the landscape. That short poem has come to mind numerous times this winter, what has seemed to be an especially foggy winter in Spokane. 

    Each morning I get out of bed before light and make my way downstairs. I take my first cup of coffee and my laptop to my favorite chair next to the fireplace in the living room. The chair faces the big front window and as I write I am able to watch as the day comes to life. 

    Most mornings this winter the light has come on soft and white, shrouded in the heavy mist that sinks from the sky to meet the mist that rises from the river at the bottom of the “hill.” 

    The fog steals through the tall Ponderosa pine trees, wrapping my view in gauze, freezing as it falls onto bare branches, forming a slick sheen on the city’s and streets leaving Spokane in soft focus. Ordinary, familiar, streets and buildings become mysterious as they disappear into or loom out of the fog. Even the birds in the Hawthorn tree in front of my window are filtered, like performers on stage behind a scrim. 

    This time of year we expect snow. We expect to look out the window in January and see fat flakes drifting down and collecting. We expect to shovel the walks and driveway and curse the berms left behind by the city’s plows. But so far, with only a few exceptions, the real snow has stayed away leaving us only the tough grey crust of old snowfall. And winter has replaced it with heavy fog that doesn’t burn off until late in the day, if it burns off at all. Some days the day ends as it began, draped in moisture.

    Winter will come, I’m sure. It always does. The sky will clear and if we’re lucky it will freeze and deliver the snow that piles up on the mountains and then melts into rushing rivers and refills the aquifer that quenches the thirst of a a dry land.

    And then, like a cat that comes and goes as it pleases, the fog will lift on graceful silent haunches and move silently on.   

Cheryl-Anne Millsap’s audio essays can be heard on Spokane Public Radio and on public radio stations across the country. She is the author of ‘Home Planet: A Life in Four Seasons’ and can be reached at catmillsap@gmail.com
   

Bird Watching for Beginners

      My husband handed me a large lightweight box to open on Christmas morning and for once he had me stumped. I hadn’t asked for anything in particular and I couldn’t imagine what he’d put under the tree.

When I peeled away the wrapping paper I saw it was an oversized finch feeding station, three long tubes dissected by perches for 24 birds. The big station made the individual feeders I already had hanging--each with no more than 6 perches--look ridiculously small. He helped me fill the tubes with the Nijer seed and with my son's help hung it from a branch in the tree outside the big front window of our Cape Cod cottage. They teased me about the possibility of ever seeing it full of birds. 

But the next morning, as light began to filter through the darkness, I was up and I looked out the front window. There were already a few visitors to the feeder—the proverbial early birds—and by the time the sun was completely up, what sun there was on such a cold grey winter day, there was a busy goldfinch or pine siskin on every perch with at least another dozen flitting around the tree waiting for a turn or trying to bully someone into abandoning their spot.
    
Snow began to fall, drifting into soft piles on the limbs, and the tree was alive with tiny, hungry, beautiful birds.
   
One by one as my son and daughters, home for the holiday, woke up and made their way downstairs, they walked by the window and stopped to comment on what was going on in the branches. Their delight mirrored my own.

On New Year’s Eve we discovered the small frozen body of a bird beneath the feeder. I don’t know if it succumbed to the bitter cold or was the victim of a predator, maybe it died of old age, but after a holiday season that was marked by our family’s own loss, the tableau at the feeder just outside the window was a reminder that life can be unfair, and that even when there’s enough for all, not everyone is strong enough to survive.
    
Now, weeks into the new year, with everyone back to work or away at school I have the house to myself and the birds, the finches, iskins and chickadees are still busy in the tree. They are good company.
   
Writing is a solitary occupation. Most of my work is done alone in a quiet house. The quick, determined movement of the birds as they feed is a welcome distraction when I look up from my computer. Off and on throughout the day I find myself standing in front of the wide north-facing window in my living room, a hot cup of tea in my cold hands, daydreaming as I watch the birds fly in and out of the tree.
    
It is not lost on me that what I am enjoying is actually their struggle to survive. The need to fuel the constant movement that keeps them warm. their constant vulnerability to cats and other predators that stalk and hunt them, mocks my search for the right word or anxiety about meeting some kind of trivial deadline.
     
Every day I watch the birds and they keep a wary eye on me as I stand at the window. And the fluttering on either side of the glass is really nothing more than the work of getting up and going on.
   
Cheryl-Anne Millsap’s audio essays can be heard on Spokane Public Radio and public radio stations across the country. She is the author of ‘Home Planet: A Life in Four Seasons’ and can be reached at catmillsap@gmail.com

Do You Hear What I Hear?

The Saturday after Thanksgiving, my daughters and I went to breakfast at the grand Davenport Hotel in downtown Spokane. Then, after eggs and bacon and pastries in the elegant ballroom, we walked a few short blocks to the mall. 

We do this every year. It’s how we officially kick off the holiday season. We spend a day in the city to do a little shopping, wave at Santa sitting in his big chair beneath the giant tree, and enjoy the crowd. 

By the time we made it to the toy store, I was tired. My favorite boots were pinching my feet, so I motioned toward the bench in the mall just outside the store and told my youngest daughter that’s where I would be. Her sister was in another store.

“Take your time,” I said, glad for the chance to sit for a minute. “Take as long as you want.” 

While she looked at the art supplies and the model horses, I looked at the people around me. There were busy men and women carrying shopping bags and hurrying from one stop to the next. And there were strollers who were only window-shopping, moving leisurely through the crowd. 

A group of carolers, dressed in Victorian costumes, appeared and began to sing. The songs were old and very familiar to me. I didn’t need a book to sing along, I had heard them since the day I was born. Songs I had sung and songs that had been sung to me for as long as I could remember. 

As I sat on the bench listening, I noticed a man sitting at a table nearby. He didn’t look like the other shoppers thronging the mall. His clothes were dirty and ill-fitting. His hair was too long and shaggy. His shoelaces were tied around his ankles to keep his hand-me-down shoes from slipping off his feet. 

The man was someone who had come into the mall, away from the street, to get in out of the cold. He wasn’t a shopper, he was just passing through. 

When the carolers started singing, the man looked up and then slowly rose and left the table. He moved, a bit unsteadily, in their direction. And it was the way he walked, like a sleepwalker or a toy being pulled by a string, that held my attention. I watched him as he found a place to stand and watch the performers.

The carolers sang one song after another. And the man never moved. He stood there, focused on the four young singers and the music. 

As I studied him, struck by his reaction, I wondered where the music was taking him. I wondered if the old familiar carols filled some empty place inside him. 

I suppose it’s possible he was remembering some really dreadful holidays, when hands were raised, voices were harsh and comfort was in short supply. But I don’t think he was.

When something triggers a memory like that we move away, not toward, the reminder. We duck our heads and hurry past, anxious to get out of the line of fire. But the man in the mall did everything but levitate in the direction of the singers. His face was rapt and open. He was pulled into the music, not pushed away.

My daughter called me to come into the store with her so I got up off the bench and did as she asked. When we came back out into the mall and met up with her sister, the man was gone.

I looked down at my little girl’s face and I linked arms with her sister. I thought about the man. Somewhere, some time, he’d been someone’s little boy. 

I don’t know where he went at the end of the day. I went home. But deep inside us both, we sang the same song.

This column first appeared in The Spokesman-Review in December 2006. 

.

Ebenezer's Ghosts Still Carry the Spirit of Christmas

This column first ran in The Spokesman-Review in 2007 under the headline Revisiting Scrooge.
This week, losing the fight with a miserable cold, I decided to surrender and rest. I turned off my phone and crawled back under the covers with my copy of Dickens' A Christmas Carol. When I finished the book I may not have lost the cold but I was warm and comfortable and filled with the spirit of Christmas.

 I pulled the book off the shelf, plumped up the pillows on my bed and settled in for a good read. The book is old, almost 100 years old, and the pages are dog-eared and as brown and fragile as dried leaves. I’ve had it since I was a girl.

Alone in the room, a blanket over my feet, I opened it and read the first line: “Marley was dead; to begin with.”

Six little words and I am deep in a familiar landscape.

Over the years I’ve picked up my old copy of Charles Dickens’ A Christmas Carol many times. I don’t read it every year – I should – but I do try to read it often enough to retain the feel of the piece. There’s simply nothing else like it.

This year, like every other time, I was struck by the power of the bleak and frigid scene described. By the vivid images painted by words.

You know the story … It is Christmas Eve, but that doesn’t matter to Ebenezer Scrooge. He doesn’t keep the holiday. Scrooge is a cold man, frozen by the coldness within him. He is a bitter and lonely and miserly man who has forsaken every human comfort. He eats only what he needs to live. He has no use for celebration or financial – or emotional – extravagance. He is, Dickens tells us, as self contained and solitary as an oyster.

By the time I’d finished the first chapter I was so deeply absorbed that when I looked up I realized I had burrowed down under the comforter until it covered me completely. It was even draped over my head.

When I peeked out, still under the spell of the book, thinking of the “piercing, biting, searching cold” of London streets, I half expected to see my breath hang in the air like little clouds. But the lamps were on and the room was warm and cozy.

I covered my head and went back to my book. I was swept up in the visits by the spirits. By the quiet dignity of Bob Cratchit. By the gradual softening of Scrooge’s heart.

I was interrupted and had to put the book down and I didn’t pick it up again for a few days. When I did, I fell quickly back into the story and read it to the end.

It’s a shame about Scrooge. Oh, I don’t mean what happened to him the night the spirits came to show him the error of his ways. I mean what has happened to him in the more than 160 years since he was created by Charles Dickens.

To most people, Ebenezer Scrooge is a cantankerous character from a movie or a cartoon. He is an actor dressed in stylized Victorian garb, a caricature of greed and heartlessness. He scowls and spits Bah Humbug to anyone who approaches. He is a symbol of penny pinching and stinginess. The lack of Christmas spirit.

But the real Scrooge only comes alive when you read the book. That’s when you see the deepest message in the tale. It wasn’t just his greed and lack of charity that nearly destroyed the man. It was the isolation. The lack of human closeness and comfort. His world drew in tightly around him and he learned “To edge his way along the crowded paths of life, warning all human sympathy to keep its distance.” He forgot how to be tender. He grew hard and flinty. He became “a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner.”

That is what the spirits revealed to him. When he saw the damage done to himself and others, Scrooge begged to be allowed to make amends. And his gift – his Christmas miracle – was that the night was rewound and he was allowed a fresh start.

For the rest of his life, “Scrooge was better than his word,” Dickens tells us. “He did it all and infinitely more.”

Tonight is Christmas Eve. The night when each of us, in our own way, is visited by the ghost of Christmas present and that yet to come. And when, like poor old Ebenezer Scrooge as he clung to the ghost of Christmas past, we will be “conscious of a thousand odors floating in the air, each one connected with a thousand thoughts, and hopes, and joys and cares long, long, forgotten.”

God bless us every one.

Holiday reality isn't wrapped with ribbon and pretty paper

 

 This column appeared in The Spokesman-Review on December 5 2005, and is one of my most popular public radio audio essays. I think that's because it addresses something most of us learn sooner or later: Life, even when we wrap it in pretty paper and decorate it with bows and ribbon, isn't always pretty. CAM

My daughter came to me fighting back tears. She hovered at my side for a moment before drooping dramatically and bonelessly, the way girls do so well, onto the sofa beside me.

“What’s wrong,” I asked, warily because I never know what’s coming.

“I don’t know,” she said with a long sigh. “Christmas just isn’t the same anymore.”

It was my turn to heave a deep sigh. There were still Thanksgiving leftovers in the refrigerator, for goodness sake. It wasn’t even December.

I offered hugs and sympathy, and gave a little pep talk about how we see things differently as we age and it’s really up to us as individuals to make any day, not just the holidays, wonderful, but what I wanted to say was, “Oh yes it is. Christmas is exactly the same.”

The truth is the picture-perfect Christmas my child was pining for never really existed. It was the magic castle at the top of a fairytale beanstalk that I planted for her.

She was blissfully unaware of the times the checkbook wouldn’t balance or I was reduced to tears over a must-have toy that couldn’t be found anywhere in town.

She didn’t worry about the tree that died weeks before Christmas and stood in the living room like ornamented kindling.

It all looked perfect to her.

In some ways the holiday season is a beautiful but empty package. We’re driven by the belief that we can create this one perfect day, or season, and the warmth generated by it will carry us through the rest of the year. We spend, bake and shop. We decorate around worry, unhappiness and dissatisfaction pretending they aren’t there.

As my daughter rested her head on my shoulder, I recalled a conversation with a friend. We met for coffee, and she told me she was getting a divorce. “The thing is, the marriage has been over a long time” she told me, slowly stirring the lukewarm coffee in her cup. “But every year I’d make this gut-wrenching decision to leave and then I’d think about the holidays, and I just couldn’t do it.”

It was bad enough to know she was ruining her children’s lives, but the holidays, too? That was too much.

Facing the truth that the divorce would tarnish every Christmas, and every other special occasion the family would celebrate in the future, she surrendered. It was that important to her.

Year after year she put on another perfect Christmas for a family that was broken but just didn’t know it.

Finally, no amount of scotch tape and silk ribbon could keep it all together. The marriage fell apart, she left – in the summer – and the family learned how to do things, how to do everything, differently.

It wasn’t pretty or perfect, and it wasn’t easy, but it eventually worked. She told me later, after she had remarried and reconciled with the child who had struggled the most with the situation, that if she hadn’t been so focused on making perfect memories for her children she might have made better decisions about a lot of things.

As I petted and consoled my daughter I tried to tell her what we so often gloss over this time of year: the truth.

Nothing shines quite as bright in real life as it does in our memory.

Growing up is hard because it means our eyes are opened to what a gift box won’t cover. We make peace with what was and what is and, eventually, move on to caring more about making the ones we love happy.

What I wanted to tell my child, but I’m not sure I got across, is that the real gift of any season is learning to find a way to see the magic in the holidays – in every day – even when you know better.

Falling into Winter

I was standing on the walkway in front of my house, watering the climbing roses that grow along the big front window, when I began to pay attention to a particular sound. I couldn't quite place what I was hearing. It was like raindrops but the sky was big and blue, without a cloud. It was like a wave of applause, but I was alone on the street. 

Still listening,  I stopped and looked around and realized it was the sound of leaves falling. Not just a few autumn leaves, drifting lazily down to the ground. It was a shower of big, curling, gold leaves from the towering horse chestnut trees on the corner. 

There was no wind to shake them free, but one after another the leaves on the uppermost branches simply let go, dropping straight down with purpose, sometimes knocking down leaves on lower branches as they went.

I stood where I was for a moment, struck by the show. The cascade of broad papery leaves increased as more and more leaves fell to the ground.

It was as if the big trees had simply shrugged them off, like weary mothers tired of clinging leafy children. 

The spiked husks holding the smooth brown chestnuts had already fallen and for weeks the squirrels had been busy, running across wires overhead, holding the prize in their mouths as they hurried back to the cache with more provisions for winter. I'd watched them bury chestnuts in my flower beds and in the potted plants around the patio. We’d gathered a big bowl to put out as squirrel treats in the deepest part of winter, to make amends for the nuts I’d taken out of the pots on the patio.

All that remained of the trees' industry of spring and summer and early fall--the unfurling of soft green, the messy blooms, the abundance of chestnuts--were the golden leaves. And now, one after another they fell from the branches and collected around my feet. 

I pulled my phone from my pocket and recorded a short video, a private movie of a splendid moment. 

How often had I looked up and commented that the trees seemed to have shed their leaves overnight. One day the canopy of color was there and the next it was gone. 

I felt fortunate, as is so often the case with nature, to have been in the right place at the right time to see something beautiful. In just minutes, the branches were bare with only the most tenacious leaves left behind. All was quiet again. 

I could imagine each tree heaving a great sigh. Her work was done for the year. Now she could rest. Now she could sleep.  

The calendar might disagree but I could not argue with what the trees were telling me. Fall is over and winter is coming. 

I walked back to my own yard, back to the roses, kicking at the leaves on the ground just to see them to scatter, and I thought about the things we see and the things we miss as we go about our day.

Before long the city's sweepers will scour the street and take away the litter of leaves. One morning, any day now, the gold will be gone and we will wake to the season's first snow, to a dusting of winter white on bare black branches. 

Cheryl-Anne Millsap’s audio essays can be heard on Spokane Public Radio and on public radio stations across the U.S. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

The Sweetest Gift of Summer

When I was a girl, after dinner and after chasing lightning bugs to fill the mayonaise jar I would put beside my bed so I could watch them flicker and blink until I fell asleep, I would sometimes lie on my back in the field next to my house and watch the stars come out. 

Never mind that the grass stuck to my sweaty legs and mosquitoes hummed in my ears, it was a fine show. Later, as a mother with young children, we piled onto a daybed on the patio and counted satellites and shooting stars, calling out each time we spotted one.

Now, with no lightning bugs to catch and no small children to keep me company, it is my habit to end the day on a lounge chair on the patio behind my house. I stretch out and stare at the sky until one by one the stars start to appear. The other night, as I lay there, I looked up between two pine trees in my neighbor’s yard and noticed a star just at the inner edge of one of the trees. Something distracted me and I looked away but when I looked back at the space between the trees, I noticed the star had moved, or, to be more precise, the planet on which I was lazing, had moved. The star was not as close to the tree as it had been. Time, and the star, had moved on while I was lost in thought.

This was no surprise. All throughout the day I look at my watch or the clock on my computer and I’m surprised to see how many minutes have flown while I was working or daydreaming. But alone in the dark, the ability to mark the passage of time by the stars was somehow satisfying. An ancient pleasure.

The neighborhood grew quiet as everyone left their backyards to move indoors. The parade of people walking dogs to the park on the sidewalk in front of my house ended. The cats gave up chasing insects in the grass and were curled up beside my chair. My little dog was snoring at my feet. 

I could, if I listened closely, hear the sounds of traffic in the distance; a siren wailed somewhere downtown, a plane flew overhead.  Slowly, steadily, the moved star to the other tree. And then it was gone.

Making my way indoors, putting away the cushion so the cats wouldn’t take the chair as soon as I left it, picking up the book I’d been reading that afternoon, I closed the door behind me. But n a way I could never have been when I was a girl, and was often too busy to comprehend when I was a young mother, I was aware of the sweetest gift: time.

Cheryl-Anne Millsap’s audio essays can be heard on Spokane Public Radio and on public radio stations across the U.S. She is the author of “Home Planet: A Life in Four Seasons” and can be reached at catmillsap@gmail.com

The Girl in the Garden

For a few minutes tonight, I was 8 years old again.

After dinner, I stayed outside playing in the back yard until I suddenly realized the sun was long gone and it was getting too dark to see clearly. The lights in the house were bright through the windows.

Still unwilling to go inside and let the day fade away completely, I sat on the back step listening to the birds sing out in the dark as they called it a day. Something must have dropped down my collar while I was digging around under the rose bushes and I wriggled as I tried to find whatever was tickling me. My hair was tangled with leaves and petals.

The air was cool and soft and smelled like flowers and dirt. My cats stalked imaginary prey in the grass. I was tired and dirty and perfectly content to be exactly where I was at that moment.

When I finally opened the back door and stepped inside, I didn't feel at all like a grandmother. I felt like a girl who'd made the most of a long summer afternoon.

That's the beauty of this stage I call my third life. Sometimes, when I least expect it, I turn a corner and find myself.

Brain Washed

You'd think after a lifetime of trying to be something different, I'd accept that I am who I am. 

This morning I was confronted, again, with my natural tendency to simply fall into a daydream or memory and stay there. For as long as I can remember, I've found myself standing or sitting, staring into space while a chain of thoughts connect like train cars and take me with them when they pull away. My children laugh at me. My husband asks the question a second or third time, until I blink and come back to the present.

This morning I spent half an hour watching the washing machine spin.

I keep most textiles that pass through the rooms in my house. Most are chosen for the intricate texture or weave of the fabric. Some for their color. More than a few pieces for the price--as a longtime treasure hunter I can't help but give in to the bargain. And, unlike so many things we gather as we go, fabrics endure and adapt to change. They can be dyed, stitched, cut, torn or turned into something entirely new so nothing is ever really wasted.

I've been looking for curtains for my bedroom and I remembered I have four silk drapery panels in the "curtains" box in my storeroom. They are woven with squares of rich colors. A little too rich for the room, so I washed them with Rit color remover. As they tumbled in the washing machine, I could see them fading a bit as they turned. But only a bit.

Staring at the fabric I was reminded of when I was a young girl and I first discovered vintage clothing and textiles, the way I loved the weight and feel and strength of old silk when I held it in my hands. I thought of the gossamer filament that is the beginning of any silk fabric, a gift of the silkworm with nothing but the utilitarian task of creating a cocoon in mind. This, maybe it was the idea of a cocoon, a space that wraps us and shelters us as we change and grow, reminded me of a place I recently visited: Poplar Forest, Thomas Jefferson's beloved country home. I am writing about the house for my next Home Planet column. Of course, that reminded me of tomorrow's deadline and soon my mind was spinning with the washing machine, tumbling words and images, structuring the essay I will sit down and write later today.

Poplar Forest, tucked into a beautiful clearing in the Virginia countryside, is undergoing a complete restoration. At this time it is a beautiful shell. Walls have been strengthened and repaired. Oak flooring--as was in the original structure--has been installed. Windows have been rebuilt, alcoves opened and doorways reconfigured, all to bring the beautiful, light filled, octagonal home back to it's original design. Eventually, I suppose, the interior will be recreated to reflect they way Jefferson lived when he was there there. But I found the bare bones of the house to be incredibly beautiful and evocative.

The click of the machine startled me and I realized I had been standing in front of it for the full cycle, my mind having traveled thousands of miles and hundreds of years while the fabric swished in hot water and color remover.  I opened the door and pulled out a panel. It was, in spite of the process, still vibrant. A bit faded, but not to the degree I'd hoped.

Oh, well. It doesn't matter. I may use the panels or I may not. I lost half an hour but I found a path to what I want to say about a beautiful place. After a lifetime I have discovered that sometimes time wasted is time well spent.

Sunset Beach: Fish Creek, Wisconsin

(Photo by Cheryl-Anne Millsap)


While touring Wisconsin's Door Peninsula, I spent some time exploring the little resort town of Fish Creek. I experienced my first traditional Door County Fish Boil at the White Gull Inn and the next day I walked around shopping and sightseeing.

Late in the afternoon, I followed the main street down to Sunset Beach Park. Facing directly west, the beach is the perfect place to watch the sun go down. Even on a cold February day people gathered to watch the show. And it was some show.

Watching the sunset and the way it affected the people around me, it occurred to me that for all our busyness, our dependence on technology and the carelessness with which so many of us treat the world around us, we are still almost powerless to resist stopping to gaze up at a big full moon or an exquisite sunset.

I found this reassuring. A sign that we are still connected to nature whether or not we recognize the fact.

That beautiful sunset over Green Bay was the subject of my Spokesman-Review Home Planet column. Read The Pull of the Moon and the Call of the Sun

You can listen to the audio essay as it aired on Spokane Public Radio here.

Exploring Granville Island: Vancouver, British Columbia

(View of Vancouver, BC from Granville Island. All photos by Cheryl-Anne Millsap)

Exploring a city is like unwrapping a gift, with each layer revealing a different and often unexpected treat. I felt exactly this way as I explored Granville Island in Vancouver, BC.

Tucked under the south end of the Granville Street Bridge and a quick water taxi ride from downtown, the historic district (and former industrial no-man's land) is an excellent example of what land reclamation should be.

Open year round, the former jumble of railroad tracks, shanties and crumbling buildings and businesses is now home to artists, artisans, fresh fruits and flowers and delicious food.

My trip to Vancouver came with a bonus. As so often happens when I travel, while I was in Vancouver I saw something that inspired a Home Planet newspaper column and public radio essay. The gentle interaction between a young man and an older woman, both on the train to the airport, left a deep impression on me. Read: The Universal Language

You can read more about the rough and ready history and reclamation of Granville Island here.

My Tired and True Companion

For more than a decade I've spent a good part of my career working from home, and I've shared that time with two dogs, a couple of cats and, when they were younger, my four children.

The children aren't underfoot anymore. Only the youngest is still at home. The cats keep their own company. The younger dog waits patiently for my daughter to get home from school, moving from room to room as it suits him.

But my old retriever is at least 14 years old, if not older. This last year has brought changes that are hard to ignore. These days he sleeps for hours at my feet while I work, rousing only to have his breakfast or greet visitors or family members. When he thinks it's time for a meal, or something unusual is going on, he gets excited but he's soon asleep again.

When I travel, I worry about him just as I do my family, calling home to make sure he's OK.

In this week's Home Planet column in The Spokesman-Review, I wrote about my old dog and how it feels to watch the inevitable changes in my Tired and True Companion

I was touched by the notes and comments by readers who also share a workspace with an aging pet. Compared to our own, the lives of our pets are short. But they earn a place in our hearts and our memory with the tender, unconditional love they show us.
And that never fades away.

Craters of the Moon National Monument

(Photos by Cheryl-Anne Millsap)

When my friend Pam and I took a road trip through Southern Idaho, we spent an afternoon exploring the otherworldly landscape at Craters of the Moon National Monument.

We had intended to drive through the park, snap a few photos and then move on. But once we were there it was almost impossible to drive away without going deeper. Literally.

Although neither of us is ever particularly eager to go underground, we knew that if we didn't at least peer into one of the famous lava tubes, we would have gotten only half of the experience. So, with the day waning, we followed the narrow asphalt path onto the broken basaltic ground leading to the entrance of the Indian Tunnel tube.

Once inside, skittish of the bats we knew were hanging in the shadows over our heads, we walked deeper, to a place where the light streams in through a broken ceiling. Testing each step, we picked our way across the fallen stones littering the floor of the cave.

Then we made our way back to the car just as the golden light of late afternoon washed over the road ahead of us.

That night, in my hotel room, with the experience still in my mind, I sat down and wrote this essay for my Home Planet newspaper column.

And, as is so often the case, I want to go back again with my family. I've discovered that may be the most unexpected benefit of solo travel. It's human nature to want to share what we've seen with the ones we love the most.